Jeannine Oppewall
Jeannine Oppewall
Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award.
Known For
Catch Me If You Can
Production Design
L.A. Confidential
Production Design
Primal Fear
Production Design
The Happening
Production Design
The Bridges of Madison County
Production Design
The Sum of All Fears
Production Design
Pleasantville
Production Design
Blow Out
Set Designer
Deep Water
Production Design
Remembering Reno: Reflections on the Making of Desert Hearts
Wakefield
Production Design
Rules Don't Apply
Production Design
Last Days in the Desert
Production Design
Good Girls Revolt
Production Design
5 to 7
Production Design
And the Oscar Goes To...
Self - Interviewee
A Perfect Man
Production Design
The Face of Love
Production Design
Casablanca: An Unlikely Classic
Self
How Do You Know
Production Design
Peacock
Production Design
Sunlight and Shadow: The Visual Style of 'L.A. Confidential'
Self
Whatever You Desire: Making 'L.A. Confidential'
Self
The Happening
Production Design
An Old Fashioned Love Story: Making 'The Bridges of Madison County'
Self
The Good Shepherd
Production Design
The Making of 'Seabiscuit'
Self
Seabiscuit
Production Design
Catch Me If You Can: Behind the Camera
Self
Catch Me If You Can
Production Design
Waking Up in Reno
Production Design
The Sum of All Fears
Production Design
Wonder Boys
Production Design
Snow Falling on Cedars
Production Design
Pleasantville
Production Design
L.A. Confidential
Production Design