Helen Marsh is a festival-showcased and produced screenwriter with a love for the dark and uncanny. She grew up on the largest yak farm in Canada with a slaughterhouse in her backyard and a typewriter on her desk. Attending Vancouver Film School in 2018, she wrote her first feature screenplay, Alice Through the Microscope, which placed as a finalist at the Vancouver International Women in Film Festival in 2019. She then went on to get her Masters of English at the University of Northern British Columbia.