Jud Yalkut
Jud Yalkut
Jud Yalkut was a pioneering intermedia artist and filmmaker. His remarkable body of moving image work, which spanned fifty years, ranged from early performance renderings and poetic filmic experiments to a series of groundbreaking hybrid video-film collaborations with Nam June Paik. Transcending and transforming media as he explored and merged film, video, expanded cinema, electronic manipulations, performance and installation, Yalkut created and collaborated on seminal intermedia projects with numerous artists, filmmakers, musicians and performers in the avant-garde and experimental scenes.
Known For
Kusama's Self-Obliteration
Director
Electronic Moon No. 2
Director
Beatles Electroniques
Director
A Tribute to John Cage
Camera Operator
Electronic Yoga
Director
Waiting for Commercials
Director
Aquarian Rushes
Director
Videotape Study No. 3
Director
Light Display: Color
Director
The Electronic Super Highway: Nam June Paik in the Nineties
Director
Video Commune (Beatles from Beginning to End)
Director
Self Portrait 2
Director
A Tribute to John Cage
Camera Operator
Suite 212
Co-Director
Slop Print
Director
China Cat Sunflower
Director
Global Groove
26'1.1499" For A String Player
Director
The Whirling Ecstasy
Director
John Cage Mushroom Hunting in Stony Point
Director
4th Annual New York Avant Garde Festival
Director
Electronic Yoga
Director
Waiting for Commercials
Director
Electronic Moon No. 2
Director
Television as a Creative Medium
Director
Cinema Metaphysique No. 1-5
Director
Metamedia: A Film Journal of Intermedia and the Avant-Garde 1966-1970
Director
Astrolabe of God
Director
Electronic Fables
Director
TV Cello Premiere
Director
The Stone Age
Aquarian Rushes
Director
Aquarian Rushes
Cinematography
Aquarian Rushes
Editor
7th Annual New York Avant Garde Festival
Director
Some Manipulations
Director