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Paul Sharits

1943 - 1993 (age 50) • Directing

Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,

Known For

T,O,U,C,H,I,N,G

58%

Director

1969

N:O:T:H:I:N:G

45%

Director

1968

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?

51%

Liveraccio

1977

Piece Mandala/End War

47%

Director

1966

Razor Blades

49%

Director

1968

Word Movie

68%

Director

1966

Dots 1 & 2

58%

Director

1965

Unrolling Event

42%

Director

1965

Paul Sharits

56%

Himself

2015

Fluxfilm Anthology 1962-1970

Director

2010

Funtime at the Vasulkas

2006

Birth of a Nation

70%

Self

1997

Rapture

1987

Rapture

Producer

1987

Rapture

Director

1987

Figment I: Fluxglam Voyage in Search of the Real Maciunas

Director

1986

Home Movies 1971-81

1985

Brancusi's Sculpture Garden at Tirgu Jiu

Director

1984

3rd Degree

Director

1982

Bad Burns

53%

Director

1982

Cinématon n°120 : Paul Sharits

1981

Cinématon XIII

N°120

1981

Sketches in Hawaii

Director

1981

Passare I (Italia)

Director

1979

Cinématon

49%

N°120

1978

Episodic Generation

Director

1978

Declarative Mode

Producer

1977

Declarative Mode

Director

1977

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?

51%

Liveraccio

1977

Paul Sharits Interview with Gerard O'Grady

himself

1976

Dream Displacement

Director

1976

Epileptic Seizure Comparison

70%

Director

1976

Tails

72%

Director

1976

Tirgu Jiu

Director

1976

Analytical Studies IV: Blank Color Frames

Director

1976

Apparent Motion

Director

1975

Filters

Department
Media Status

Release Date

Genres