Initially created as an editing exercise for his students at UCSD, Jenkins’ Inconsequential Doggereal mixes poetic narrative fragments of self-shot footage with moments ripped from the unending flow of TV news, advertising, and entertainment. The images and sounds of mainstream television are jammed, freeze-framed, looped, overlaid and rewound—clips of science documentaries, movies broadcast on TV, nightly news commentary on the minimum wage, and a 60 Minutes style interview with the actor Peter Sellers are all jumbled together. Jenkins interjects several original threads, which show pickup football games gone wrong, a young white couple doing chores and hanging out at home, and Jenkins himself laying on a green suburban yard as a lawnmower moves perilously close to his body.