what remains is constructed from images shot and gathered during 2015 and 2016 in Cizre, a primarily Kurdish town in Turkey on the Syrian border, as well as found footage from all over Turkey from the same period. A focus of the work is the artist’s footage of collective Kurdish mourning practices, and looking at how images of the dead are used in these practices. Sağ approaches her subject both philosophically and emotionally, and is driven to find a way of making work that is theoretically rigorous and morally and ethically compassionate.