The starting point for Vertical Distraction is the body of the city of Frankfurt am Main and its skyline. Feser deals with the architecture he observes and its effect on his own body. He develops body extensions that oscillate in a peculiar way between clothing, prostheses, and sculptural excrescences, dealing ironically and neurotically with patterns of identity and the idea of the natural. The urban landscape is viewed as manifestations of a human organism.