Transitions are traditionally used for temporal or spatial transformations on the continuity of the film’s narrative. This work explores repetition and stretches micro-events of time and sound in transitions from found footage film, shots in-between. Being in-between, being right there, in the previous and the next shot at the same time, elsewhere and nowhere, nothing to consume, to experience nothingness only, its suggested to be aware of oneself and to experience the time passing, to confront consumption habits and expectations, anxiety and many pathological disorders of contemporary daily life.