An authentic piece of documentary filmmaking, shot in the courtyard of a music college on Matveyev Lane in the early 2000s—lost and then found, fragmented into the mosaic of a Siemens C65 camera and melted back into a seamless canvas by modern technology—becomes a memory that almost anyone can try on for themselves. And the very participants of that filming might not even acknowledge that all of it truly happened to them. Perhaps Andrey, Anton, Vladislav, Georgy, Pavel, and Timofey had to let go of these memories so that they could become public and universally relatable for each of us—those who will become the viewers of GOSHA: Years of Study.