Vasilis, a passionate film fan and keen critic, is determined to convince his friends and environment that Leni Riefenstahl, the filmmaker of the Third Reich, was not a great woman of the seventh art, but rather a non-talented beast.Vasilis dissects Riefenstahl’s landmark film, The Triumph of Will, meticulously examining every aspect to uncover any aesthetic errors. However, things take an unexpected turn when he analyses a specific sequence that begins at the 1 hour, 26 minutes, and 54 seconds mark of the film.