Since her time at the Munich Art Academy in the mid-1990s, the medium of video has been a central element in the artist's work, although she never saw herself as a video artist. Video, music and performance stand alongside painting and works on paper. The delicacy and blurriness of the watercolors corresponds to the deliberately rudimentary production technique of the videos, the content of which the viewer encounters like scraps of memory or dream images. Use of camera and editing have a painterly effect, so to speak.