Each beat has its own speed, each tempo suggests certain images: Timo Novotny's video for Richard Dorfmeisters Sofa Surfers remix, which was shot in Japan on Super-8 film, begins with an aerial view of a construction site and a crane. As the bass begins softly, the images start to move up along a vertical line, apparently reflecting the path of an elevator. Everything is transparent, everything is structured: The scaffolding is echoed in the pictures frame, which rolls across the screen in a way similar to a poor film projection, offsetting the illusion of movement. Or the images accentuate the music through superimpositions, short zooms and shots through cloudy glass. (Dominik Kamalzadeh)