Natalia Lassalle-Morillo considers how women pass down memories to their kin as they age. A film within a film, the three-channel portrait combines the scripted film she and her mother made together, behind-the-scenes shots of that film’s production, and interviews with her mother on gendered familial expectations and aging in Puerto Rico. Lassalle-Morillo’s meta approach to story-telling unpacks her relationship to her mother, demonstrating how maternal trauma, history, and myth are made and inherited through disjointed narratives. As a result, the film “reorganizes” ancestral trauma, giving the artist freedom to reject or move on from her inheritance, if she chooses to.