Loosely exploring the historical weight of institutionalized religion in a postmillennial society, and its relationship to individual spirituality, the filmmaker places herself into the Jacob myth of the Pentateuch. She plays the role of Jacob in an attempt to come to terms with her religious upbringing, and her anxious ambivalence towards her own agnosticism. Inspired by the in-camera techniques of the early cinema of Meliese, the film and all of its special effects were shot and edited entirely in-camera in one take.